The official Riivata Visuals-directed music video “Recode”, a brand new song from FEAR FACTORY, can be seen below. The track is taken from the band’s latest album, “Aggression Continuum”, which is being released today (Friday, June 18) via Nuclear Blast Records.
FEAR FACTORY guitarist Dino Cazares comments: “The day has finally come for all to finally enjoy the new FEAR FACTORY album, ‘Aggression Continuum’. It’s been a long journey to get to this date and I can’t say enough of how proud I am of the album. Thanks to everyone involved in making it possible for this record to come out. This is all for you, the amazing FF family!! Machines Of Hate!”
“Aggression Continuum” features Cazares; drummer Mike Heller; and former vocalist, lyricist, and co-founder Burton C. Bell. It was produced and engineered by Damien Rainaud (DRAGONFORCE, ONCE HUMAN), with keyboards by Igor Khoroshev (ex-YES), and programming on two songs from longtime collaborator Rhys Fulber (FRONT LINE ASSEMBLY). “Aggression Continuum” was mixed by A-list rock and metal producer Andy Sneap (MEGADETH, KILLSWITCH ENGAGE, TRIVIUM), who also mixed FEAR FACTORY‘s previous album, 2015’s “Genexus”.
Cazares previously commented: “This record is one of my proudest achievements and I’m really excited for it to finally be released. There were a lot of personal struggles, sacrifices, and legal issues involved with this record which almost didn’t see the light of day, but through passion, determination, lots of hard work and not giving up the fight, it’s finally ready for the world to hear. I felt that I needed to prove myself once again as I always try and make each record better than the last. Listen, and understand! This album is pissed! It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear and it absolutely will not stop, ever, until you are hooked. You must fight to survive in the ‘Aggression Continuum’.”
“Aggression Continuum” track listing:
03. Aggression Continuum
05. Fuel Injected Suicide Machine
07. Manufactured Hope
08. Cognitive Dissonance
10. End Of Line
Last September, Bell issued a statement officially announcing his departure from FEAR FACTORY, saying that he “cannot align” himself with someone whom he does not trust or respect.
Bell‘s exit from FEAR FACTORY came more than two weeks after Cazares launched a GoFundMe campaign to assist him with the production costs associated with the release of FEAR FACTORY‘s long-awaited new LP.
Bell later told Kerrang! magazine that his split with FEAR FACTORY was a long time coming. “It’s been on my mind for a while,” he said. “These lawsuits [over the rights to the FEAR FACTORY name] just drained me. The egos. The greed. Not just from bandmembers, but from the attorneys involved. I just lost my love for it.
“With FEAR FACTORY, it’s just constantly been, like, ‘What?!’ You can only take so much. I felt like 30 years was a good run. Those albums I’ve done with FEAR FACTORY will always be out there. I’ll always be part of that. I just felt like it was time to move forward.”
Pressed about whether there is any chance of a reconciliation with FEAR FACTORY down the line, Burton said: “I’m done. I haven’t spoken to Dino in three years. I haven’t spoken to Raymond [Herrera, drums] and Christian [Olde Wolbers, bass] in longer than that, and I have no intention to. I’m just moving forward with my life.”
In October, Dino issued a statement in which he said that the door for Burton to come back to FEAR FACTORY wouldn’t “stay open forever.” The guitarist also revealed that Burton “lost his legal rights” to the FEAR FACTORY name “after a long court battle” with Herrera and Olde Wolbers. “I had the opportunity to do something right, and I felt that obtaining the name in full was the right thing to do for the both of us, so after nearly four years we can continue as FEAR FACTORY, to make more records and to tour,” he said. “That is why it is sad to hear that he decided to quit and, in my opinion, for whatever issues he has it seems like it could’ve been worked out.”
FEAR FACTORY‘s fundraising campaign marked the first public activity from the band since it completed a 2016 U.S. headlining tour on which it performed its classic second album, “Demanufacture”, in its entirety.
Photo credit: Stephanie Cabral