Professionally filmed video footage of METALLICA‘s entire March 25 performance at Lollapalooza Brasil at Autódromo de Interlagos in São Paulo, Brazil can be seen below.
05:11 – Ecstasy Of Gold
07:07 – Hardwired
10:51 – Atlas, Rise!
17:24 – For Whom The Bell Tolls
21:56 – The Memory Remains
26:52 – Kirk Hammett’s Solo 1
28:39 – The Unforgiven
40:03 – Now That We’re Dead
45:09 – Moth Into Flame
49:30 – Harvester Of Sorrow
56:13 – Halo On Fire
1:05:33 – Robert Trujillo’s Solo
1:07:42 – Anesthesia (Pulling Teeth)
1:09:41 – Whiplash
1:14:40 – Sad But True
1:21:32 – One
1:28:40 – Master Of Puppets
1:36:55 – Kirk Hammett’s Solo 2
1:40:16 – Fade To Black
1:48:42 – Seek And Destroy
1:57:57 – Battery
2:03:38 – Nothing Else Matters
2:09:24 – Enter Sandman
METALLICA will next play South America’s Lollapalooza events in Argentina and Chile on March 31 and April 1, respectively.
The North American leg of METALLICA‘s “WorldWired” 2017 tour kicks off in Baltimore and will hit stadiums in 25 cities before winding down in mid-August. Support on the quartet’s first North American trek since 2009 will come mainly from AVENGED SEVENFOLD and VOLBEAT, with GOJIRA taking over for the latter group for the last six shows.
The first European leg of “WorldWired” kicks off on September 4 in Amsterdam, The Netherlands and stretches through November. After a break, the trek will pick up again on February 10, 2018 in Bologna, Italy, and continue through May, finishing up in Helsinki, Finland.
Speaking about what fans can expect from the stage show on the European leg of the “WorldWired” tour, bassist Robert Trujillo told Italy’s Virgin Radio: “Yeah, I think what’s exciting about what’s happening right now is it’s all still very fresh, and we’re figuring out, visually, where production’s going, we’re getting to know the stage a little more. We’re playing in the round, and it’s been a while, so what happens is there’s a different sort of approach to where you’re supposed to be or what’s comfortable or where you need to be. We’re still working through the visuals you may see on the stage, ’cause the stage itself is also a screen, really. So there’s a lot of things going on, and it takes a little bit of time to navigate… what I say, ‘navigate the terrain.’ So we’re still trying to figure it out.”
Regarding how METALLICA goes about choosing the setlist for its live performances, Trujillo said: “Well, that’s a challenge too, because you have the back catalog, which is pretty strong. A lot of the hardcore fans wanna hear the deep cuts — songs like ‘Orion’ or maybe like a ‘Disposable Heroes’; you know, songs that we don’t play all the time — and then, of course, they wana hear ‘Sandman’ and ‘Nothing Else Matters’ and some of the hits. So Lars‘s [Ulrich, drums] job is to balance that out as best as he can, and then we sort of go over it and see if that works. But we do try to change the set every night; it’s never gonna be exactly the same, which keeps things fun and interesting.”
He continued: “One of the things that I think is important, and I think there’s some pride in this, is that over the last few years, we’ve actually played obscure songs, like ‘Frayed Ends Of Sanity’, off the ‘Justice’ album, which hadn’t been played ever with METALLICA live. So we did that a couple of years ago. So the fact that we’re still doing that, I think, helps us become, actually, a better band; we grow from those experiences. And I believe those are the experiences that have helped ‘Hardwired’ become that much better of an album.”