Magician Gets Out of Speeding Ticket With Rubik’s Cube Trickery


There really aren’t many reasons to become a magician these days other than cheap living room entertainment. You definitely can’t score women with your magic. Though there might be one of those awful double standards where if you’re a girl it’d help you pick up a dude. That’s besides the point, because there’s totally a legit use for magic in 2014. Getting out of speeding tickets!

“For my next trick, I will make these charges disappear!”

Video: Half Naked Woman Beats Meat On Herself


There’s a video on YouTube called ‘Meat Beat,’ where a girl in lingerie smacks a bunch of raw meat against her body to create a drum beat.  You’re hearing sausages, baloney, shrimp, ground beef, steak, a fish, and a crab.  (She doesn’t actually play the whole beat at once . . . they recorded all the sounds separately, then built the beat in a computer.

And the video is NOT safe for work, since it features a very scantily clad woman getting smacked in the chest and rear end with raw meat.)

Rock History: Mike Watt Backed by Dave Grohl, Eddie Vedder and Pat Smear in ’95 Performance

The Minutemen bassist Mike Watt plays a pivotal role in Foo Fighters’ history. For Foos’ first official tour in 1995, they, along with Eddie Vedder’s side-project Hovercraft, opened up for Watt on his solo outing. In addition to performing as openers, Vedder and the Foos served as Watt’s backing band throughout the tour. When taking into account the fact that Foo guitarist Pat Smear also co-founded influential outfit The Germs, this makes the Watt/Foos/Vedder bill one of the most eclectic, rock royalty-packed lineups this side of Mad Season.
The ‘supergroup’ of sorts hit the late night television circuit by way of Jon Stewart’s pre-Daily Show program, The Jon Stewart Show, which aired on MTV during the mid-’90s. With Grohl on drums and Vedder and Smear doubling up on guitar, Watt led the motley grunge-meets-punk crew through the dastardly ‘Big Train” taken from his solo debut, Ball-Hog or Tugboat?. Watt opens the song with his sinister croon before Grohl’s percussive power comes crashing in and truly kicks things off. Vedder stays stoic for the majority of the performance, but does add some subtle backing vocals to the mix. Smear, meanwhile, nearly steals the show with a couple bouts of manic slide guitar work.
It’s a rare and interesting glimpse at the close-knit nature of rock music, wherein a younger generation of rockers not only gets to pay homage to their forefathers, but outright gets to jam with them onstage. It’s also rather poetic, then — and a testament to how cyclical music history can be — to see that Grohl and the Foo Fighters are now somewhat like the Watt of 2014, playing alongside young-blooded musicians on Sonic Highways, many of whom probably grew up listening to The Colour and the Shape and There Is Nothing Left to Lose.